Skip to main content

Movie Review: Barreily ki Barfi is delicious Day 1164

By Films

Film: Bareilly ki Barfi

Date: 18 August 2017

Producer: Junglee Pictures, BR Studio

Director: Ashwiny Iyer Tiwari

Writers: Nitesh Tiwari, Shreyas Jain, Rajat Nonia

Cast: Rajkumar Rao, Ayushman Khurana, Krriti Sanon, Pankaj Tripathi, Seema Bhargava

The man of the house is awake and is getting late to work but there is a problem, he needs a cigarette to relieve himself and he has finished his last one, so his daughter walks on the street and borrows an incomplete cigarette from a passerby to push it inside the toilet door to her anxious father.

This is just one of the many crazy things the family is capable of. On a bad morning, the daughter walks out of her home bag and baggage to board a train to nowhere but before that she purchases a book and is so engrossed in the story that she returns home instantly to share the details with her best friend.

Director Ashwiny Iyer Tiwari has a unique way of introducing her protagonists the Mishra family to the viewers. Father Pankaj Tripathi is the liberal and laid back owner of a sweet shop, mother Seema Bhargava is in government service.

Daughter Bitti / Kriti Sanon holds an impressive profile that includes break dance, foreign films, in short, living life to the brim so it’s of little consequence that she holds a boring job of listing complaints of failing electricity in the city.

Bitti identifies with the heroine of the book and is curious to meet up the writer so lands up at the printing press owned by Chirag Dubey/Ayushman Khurana, a lover in mourning who initially forwards her messages to the author and finally packs Vidrohi from Lucknow to Barreily to meet her.

In the meantime, Mr & Mrs. Mishra who were initially attracted to Chirag as the potential groom for their daughter, now shift affection to Pritam while Pritam shifts affection to Rama and if all this is confusing then that’s the intention!

It is a love story with a message for life: that you will reap what you will sow and more important, appearances are deceptive as a result, Bitti’s mother whose hyper ventilating all day about her daughter’s delayed wedding, come night and she snores away to sleep.

Bitti’s father on the other hand, who is supportive of his daughter’s freedom, lies awake night after night on his bed talking to the ceiling fan.

The spirited Bitti who lives life on her terms has a repartee for every question including a candidate asking her if she’s a virgin, has no answers for her own fears.

Nor does Chirag the big bully who is self-absorbed to a point of destruction! It is a foregone conclusion that Pritam Vidyarthi is a loser but is that really true?

What’s in favor of the film is the extra-ordinary writing sprinkled with native humor and amazing insights. Barreily Ki Barfi is a story of mundane moments turned magical by unforgettable characters and sparkling performances from ensemble cast Pankaj/ Seema/ Krriti/ Ayushman,and the best of all Rajkumar Rao.

The minus is that the romance brings back memories of Saajan, Chitchor and Katha. The film has a slow start and the climax is predictable but you can overlook these minor flaws for the bigger picture.

Barreily ki Barfi is entertaining and when you emerge from the theatre, you carry home with you the entire Mishra family, their friends, and relatives.

Congratulations to the entire Barreily team for a film as delicious as Barfi. I rate Barreily ki Barfi with 3.5 stars.

Bhawana Somaaya/ @bhawanasomaaya

 

 

 

 

Aruna Irani : Gunga Jamuna to television (Day 1163)

By Event

Aruna Irani started her career as a child star in Gunga Jamuna and when she grew up she danced in the chorus or did brief roles till Mehmood spotted her in a crowd scene and launched her as his co-star. She was a good actor and did many powerful supporting roles in many films be it Upkaar, Naya Zamana or Carvaan.  It was Mehmood who launched her as a heroine opposite his prodigal Amitabh Bachchan in Bombay to Goa.

ArunaIrani g 90s partyRaj Kapoor launched her as a dancer in Bobby and there was no looking back for Aruna Irani recognized as a complete entertainer who could fit into any role or character in any film.

aruna cake 2In the 80s when the film offers reduced Aruna Irani got busy with Gujarati films not just as an actor but also as a producer and director. In the 90s she was back in Hindi films with her unforgettable role as Anil Kapoor’s mother in Beta.

2000 onward Aruna Irani became the most in demand actor on television starting with Desh Mein Nikla Hoga Chand to her latest offering as Sau Bhagyalaxami in 2016.

Wishing Aruna Irani a productive and creative year ahead…

Follow me on FacebookTwitter, and Instagram  @bhawanasomaaya

Sachin Pilgaonkar : Child star to superstar Day 1162

By Uncategorized

Today is Sachin Pilgaonkar’s birthday. I met Sachin I think on the sets of Basu Bhattacharya’s Madhu Malti with Sarika his heroine. They were shooting in some Goregaon college campus and I spent the entire day chatting with the unit till pack up.

Over the decades as I moved from being a cup reporter to an editor Sachin proved a successful actor slowly diverting to Marathi films first as an actor and later as a director.

He was as active on the television as a producer and as a director and also visible as an actor in Hindi and Marathi films.

Recently he celebrated 50 years in the film industry, a rare feat at his age possible only because he began his career as a child artiste with Meena Kumari when the state and all those associated with him paid him loving tribute at a grand function attended by Amitabh Bachchan and Sachin Tendulkar.

Wishing the versatile Sachin Pilgaonkar a happy and healthy birthday and may there be many more to come.

Toilet Ek Prem Katha- India is changing Day 1158

By Uncategorized

Film Review: Toilet Ek Prem Katha

Date: 11 August 2017

Producer:  Bhatia, Arora, Kapoor, Thakkar

Director: Shree Narayan Singh

Cast: Akshay Kumar, Bhumi Pednekaar

 

Rating: 3.5 stars

She is fiery, fearless and upfront. He is foolish, frivolous and evades issues till confronted by finality. He is 37 unmarried, uneducated, she is a topper in her 20s and raring to go. Realistically there’s no meeting ground between the highbrow Jaya/ Bhumi Pednekar and the cycle shop owner Keshav/ Akshay Kumar but cupid has his own reasons and Uttar Pradesh’s Mand village has one more wedding to relish the celebrations.

 At dawn while Jaya is fast asleep snuggled beside her groom, she is awakened by the village women on their daily walk to the forest mockingly referred to as lota party and Jaya is outraged to discover that her in-laws have no toilet in the house!

For the sake of her husband Jaya makes sincere attempts to adjust to her new routine. The newlyweds plan adventurous alternatives but when all plans fail, a furious Jaya returns to her parents determined to not return until her husband builds a toilet in the house.

 The first half of the film concentrates on the blossoming romance between the lovers set against the backdrop of this quaint village comprising cow dung homes, bicycles, and kulhad chai. The characters converse in local dialect with a dash of twisted English and relish colorful festivals.

The second half while specifically addressing the toilet issue stirs age old traditions and questions meaningless rituals. When Keshav is not supported by the Panchayat he seeks legal aid and exposes corruption in bureaucracy that drums all the way to media and Mantralay!

 What goes in favor of the film is the native humor, the extra-ordinary writing, the ambiance, the music, the engaging characters and most important, the message of the film. Clearly this is not an ordinary love story questioning inequality in status/ religion/ age/ caste/ power. We have seen that in many social films over the decades.

Nor is it a film about dowry and pressures of patriarchal society, this time it is a rare story about gender sensitivity, about a married woman who returns to her parents and they are supportive of her decision. This time it’s the woman making demands. Demand for a toilet or should we say demand for dignity!

As Keshav, Akshay Kumar is hilarious in his wedding ceremony with the buffalo and later chatting up his wife inside a toilet cubicle. Bhumi Pednekar for her second film is refreshingly original and redefines the girl next door.

The only problem with the film is that it’s a little long and tad repetitive but you overlook the flaws for the bigger message of the film.

I rate Toilet Ek Prem Katha with 3.5 stars.

@bhawanasomaaya

 

 

Real stories (Day 1158)

By Uncategorized

Yoodlee plans to make their films into collaborative efforts, which means offer a profit sharing of 30% to all key stakeholders (director, key crew members) on every project thereby ensuring that all parties are equally invested in the success of all projects.

 

With 120,000 songs Saregama has the biggest and best music IP in the country and with. Yoodlee Films the company aspires to extend this leadership to films business in the new medium. The studio is looking to create a tidal wave of thematic and real cinema for an audience starved of it. The motto is to offer fearless filmmakers irrespective of the controversies. For trailer click http://bit.ly/YoodleeBrandTrailer. A quick look at the upcoming releases:

10.a.08coming soon The Music TeacherSeptember 25/ Abhi & Anu/ Tamil and Malayalam is a true story about lovers sworn to commitment forever until a strange twist of fate reveals them to be more than just lovers. The point is to what extent they will go to protect their love. Directed by BR Vijayalaxmi, a reputed Tamil filmmaker and has the distinction of being Asia’s first woman cinematographer.

 

Coming soon…The Music Teacher