Restless Ram Gopal Varma – Day 1989

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I was strolling in the market and in a tiny book shop, found filmmaker Ram Gopal Varma’s book Guns and Thighs, a strange title I thought but then he is the man who titled his adaptation of Sholay as Ram Gopal Varma Ki Aaag. Call it vanity, or heady success but failure knocked on his door, Varma was quick to fled home, to Hyderabad and Telegu films.

My mind rewinds to my several conversations with the director. He often said that he cannot sustain interest in any project beyond six months, “I am restless by nature and if I don’t move fast, I get bored”. Don’t you fear burning out, I asked. “Productivity has so far not destroyed any filmmaker and prolificity isn’t the only evil in creative field. I’d stagnate if I’m unproductive and between the two, I choose burning out”.

To be continued

Movie Review – 99 Songs – Day 1988

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Film: 99 Songs

Date: 16.04.2021

Director: Vishwesh Krishnamoorty

Music: ARRahman

Cast: Ehan Bhat,Edilsey Verghese

Ratings 4 stars

A constant tune plays in his head, makes him restless, he senses music all around him, in nature, in his surroundings, in isolation and at gatherings. As a little boy, he charged towards his window, every time a wedding band passed by. He wandered on the street, followed a flute player, observed his moving fingers on the bamboo stick. He was drawn to the sound of the mridung and rushed to make it in time for the aarti, attracted to the sound of Sufi song rendered in the mosque. He found peace inside the church humming with the choir.

From the beginning, little Ehan was different. On his birthday, his father escorted him to a toy shop and said he could pick whatever he liked. The little boy unearthed an old guitar hidden in the rear shelves that amused the shop keeper but the boy’s father was furious! ‘Out of all the vices in the world, melody is the worst, music is a curse in the family’ and he warned his son to stay away from it.

The child promised to obey, but melody haunted him, followed him; from the clouds, from the waves, from the clanging bells and the chirping birds in the sky. Director Krishnamoorty’s narrative unfolds amidst dry trees fluttering with orange fabric in the breeze and a little boy stringing kites onto an ancient boat parked at the seashore.

99 Songs is about music but also about imageries, of skylines, art and architecture that intermingle and dissolve into sensual frames as if the cinematographer and the composer strike a symphony in silence. The aesthetics are breathtaking and the wounds caused by distrust crackle like crystals. Pain is expressed in charcoals on canvas and when anger overtakes, melodies turn into flames.

The film is the journey of a creator and his creation, about the people who touch his life, the demons he has to fight and strangers who rekindle faith. A tutor taught him that feeling is more important than vision, another music lover said, music is truth. Ehan remembered both!

The darkest emotions, deception, drug or death unfolds like a symphony and through the maze of conflicts, Ehan finds himself. resolves that music isn’t a curse, but the only magic in this world.

99 Songs is not a regular film and the review cannot be regular. This is a cinematic, sublime experience, a must watch for all Rahman lovers and released in Hindi, Telegu and Tamil.

Bhawana Somaaya

Day Number – Day 1987

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What was noteworthy was that Baburao’s writing did not restrict to cinema. He authored six books, prominent among these are Grey Dust and Burning Words and showed a keen interest in politics, and in time to come launched another magazine, Mother India in 1960 that unravelled the powerful. Balancing two magazines, Film India and Mother India was not easy and Baburao had to take the difficult decision of shutting down Film India. It was a big loss and the readers missed his regular dose of juicy dope on show business. The bigger loss were the filmmakers turning complacent in the absence of an erudite watchdog.

It was now time for the politicians to tighten their seat belts and lived-in fear of Baburao’s fiery editorials.  Few people remember this that Baburao Patel was the first critic to be invited as a delegate to read a paper on cinema and culture, the first to protest against anti-Indian productions in Europe, UK and USA and also the first journalist, much before Arun Shourie, to be elected as the Member of Parliament.

In the year 1967 he was presented a Rajya Sabha seat and it was impossible to pipe him down because he had a counter argument for everybody! So many years have gone by but none has been able to match the spirit and sparkle of Baburao Patel who lived king size, is said to have written more than 8 million words in his 30-year-old career.

Remembering Baburao Patel – Day 1986

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As long as actor, producer, singer, music director Sushila Rani Patel lived, she dedicated the month of April to the memory of her husband, Baburao Patel, India’s pioneering film journalist, who dared to unmask the dream-merchants, a trend gradually picked up by future glossies. Baburao launched India’s first film magazine Film India in 1935 and it was the most popular publication of its time, widely appreciated for its bold stand and his saucy style of writing. It was said his columns made and broke careers and filmmakers dreaded his acid reviews because they invariably proved true at the box-office. He was the most hated and the most sought-after journalist in show business that time.

Born to an illustrious advocate at the Bombay High Court Baburao due to personal reasons was unable to complete his schooling but spent all his time browsing in his father’s library at home. He was self-taught and adventurous. After becoming an adult, he dropped his original surname Patil and altered it to Patel without consulting anyone in the family.

A few years after launching the publication, Baburao forayed into film production. He wrote, produced and directed Kismet in 1929, Mahananda, Bala Joban, Maharani and Chand Ka Tukda between 1932-35 and made Draupadi, and Gwalan starring his wife Sushila Rani in 1944 and 1946 respectively.

 To be continued

Show goes on – Day 1985

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It is a bleak time for all businesses but despite uncertainty, the adrenaline is certainly flowing. Producer Jayantilal Gada better known as Pen India Ltd, in news because of Bhansali’s Gangubai Kathiawadi has struck another big deal in this difficult time. Pen has obtained the North India theatrical, electronic, satellite and digital rights of SS Rajamouli’s RRR (after Baahubali) showcasing a fictionalised story of Alluri Sitarama Raju and Komaram Bheem and starring stalwarts from Hindi (Ajay Devgn and Alia Bhatt), Telegu and Tamil cinema, releasing in three languages simultaneously. Trio language is the new mantra of the box-office and which is how even music composer AR Rahman is releasing his debut film 99 Songs.

The virus has many positive effects too, it has made space for all kinds of projects and all kinds of platforms. Abhishek Bachchan suffered a rough phase when we did not watch him on the big screen but he was preoccupied with football, Kabbadi, web series and more and now suddenly, the clouds have cleared and his plate is full again. The Big Bull the story of Harshad Mehta has released on Disney Hot Star and Dasvi is in the final schedule of production.

Old songs, new projects – Day 1984

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The covid situation is not improving and it’s very difficult for artistes to sit idle, all of them are trying their busy to remain busy, writers/ potential writers/ filmmakers/ potential filmmakers are quietly working on new projects irrespective of when it gets launched. Those who have finished their first drafts are pitching the subject to actors over zoom meetings and those who have finished casting are announcing virtual mahurats.   

Ekta Kapoor just did, she posted her childhood picture with Amitabh Bachchan sharing that this is how the dream began and finally, she is being able to fulfil her dream.  After so many years of being in the film fraternity Jeetendra will be producing a film starring his friend and colleague Bachchan in Balaji Telefilms’ Goodbye.