Gearing up for Gangubai – Day 2079

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Bhansali recalls that when he was older and went to watch movies, he was fascinated with the projector fascinated and the beam of light falling on the big screen, “I wondered how it happened and told myself that one day, I will tell my story too. I shot nine films and a few songs, created music for my movies and have enjoyed the process. This year is special because a film I enthusiastically look forward to Gangubai Kathiawadi makes it to the cinema halls and there is more…

Netflix will showcase the ambitious Heeramandi a subject close to my heart. My friend Moin Baig presented the story to me 14 years ago but I had to wait because it had to be presented on a grand scale. Then OTT happened and I knew that the time had come and Netflix is the perfect platform for the extravaganza. Stories are forever wandering in my head and I never know which one I will pick to make my next film. Twenty-five years have gone by and years have gone by and more decades will pass, but my love for cinema can never diminish. I always say you don’t need money to make films, you need passion.”

 concluded

Bhansali celebrates jubilee – Day 2078

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This is a special year for Sanjay Leela Bhansali who completes 25 years in cinema. Bhansali recalls that he was four- years-old when he visited a film shooting for the first time with his father. “My father had to meet some friends and seated me on a chair from where I could watch the shooting. He said he would come and collect me, so I sat there, watching people, camera, props move from one place to another and I was fascinated.

When father finished his work and came to fetch me, I did not want to go home. I wanted to be inside the studio forever, it was more exciting than going to school, being with my friends and cousins. It was only when I turned much older, did I understand that they were shooting a cabaret dance on that day. It was all so colourful, so enchanting that I was captivated in the world of the dancer and knew all the steps because it was so many times.”

To be continued

Yash Raj and festival time – Day 2077

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Somehow, the only South director Hindi cinema is attracted to is Mani Rathnam and when news came around that Aishwarya Rai was shooting with Ratnam again, they were all the more curious. Ratnam’s next is based on Tamil celebrated book Ponniyin Selvan portraying the Chola dynasty and Sobhita Dhulipala of Made in Heaven fame, a trained classical dancer, plays the pivotal role of a princess who is a master of Kuchipudi and Bharatnatyam. The film is a multi-lingual project and also features Vikram, Aishwarya Rai and others.

The coming months are promising for Yash Raj Films because Bunty Aur Babli is due for a Diwali release while Prithviraj starring Akshay Kumar as the king and directed by Dr Chandraprakash Dwivedi a new year opening and Ranbir Kapoor’s Shamshera directed by Karan Malhotra is scheduled for March 2022.

Autobiographies and bubble shoots – Day 2076

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To those who allege that show business is changing rapidly, I will respond that opportunities are too many. What was not okay just a few years ago, is perfectly fine now. When Masaba told her story with mother Neena Gupta, many were horrified. Then came the Bollywood Wives and now suddenly everyone is telling their stories. Legendary tennis players Leander Paes and Mahesh Bhuppathi have shared their conflicts in Breakpoint and allegedly Salman Khan and Prabhu Deva are next in the line. 

There is so much content to absorb on the small screen that it is a refreshing to read about projects coming on big screen. Rani Mukerji after shooting for a month in a bubble has just wrapped up Mrs Chatterjee Vs Norway, story of a mother who fights a nation for the sake of her child. Interestingly, South star-director Revathy has roped in Kajol also for the story of a mother titled The Last Hurray.

Movie Review: Sardar Udham – Day 2075

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Film: Sardar Udham

Date: 15.10.2021

Sardar Udham is well intended but unusually slow

by Bhawana Somaaya

Shoojit Sircar directed Sardar Udham is the story of revolutionary freedom fighter who shot General Michael O Dwyer in the presence of all at Caxton Hall, London. Dwer was the man to give fire orders in Amritsar’s Jallianwala Baugh that killed 20,000 Indians. When the massacre occurred in1919 Udham Singh was only 20 years old and it became a life transforming event in his life.

The film touches upon all those landmark years: 1913 -1929 -1921 -1927- 1931 -1933 and 1940 and we travel all these cities, Punjab-Rawalpindi-Scotland-USSR-Lahore where Udham walked the streets, markets, spent happy times in the field, stable, picked by police stations, at times hiding in dingy lodges haunted by recurrent nightmares and the pall of gloom during his long imprisonment.

The camera exposes you to all his demons, not an easy film to shoot because it is tough to compress so much information within just two hours. The research is detailed, authentic and excels in sound, cinematography, locations, language. The problem is the pace. All the sequences are long, Udham’s investigation unending and frequent flashbacks-flash-forwards annoying.  

The Jallianwala Baugh massacre is superbly shot, but again never ending. Nobody expects entertainment from a patriotic film but some humour, light moments could have changed the narrative. Vicky Kaushal plays Udham with quiet confidence and repressed anger but the character is devoid of   shades. Watching the film, I kept wondering how Irrfan Khan would have portrayed the role.

It is not easy making a film like this, not easy revisiting wounds. It is 100 years since the massacre but India is yet to receive an official apology from the British. The bigger tragedy however is that the revolutionary who sacrificed his life for the nation has been forgotten.

Thank you, director Shoojit Sircar, for reconnecting us to our hero Sardar Udham. Jai Hind.