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Rishi Kapoor had declined the role – Day 1762

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Rishi Kapoor had initially refused the film and even though Yash Chopra spent a lot of time explaining the importance of the project Kapoor remained stubborn. Chopra had no appropriate option for Rishi and went to Shashi Kapoor to help him. Shashi Kapoor asked Chopra to plan his schedule and promised to bring Rishi Kapoor to the sets, he did and Chopra for the first few days only shot with Rishi Kapoor so that incase Rishi changed his mind again he could not leave the film.

To be continued

@bhawanasomaaya

Neetu Singh was Punjabi kuddi – Day 1761

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Raakhee’s confusion led to a lot of misunderstanding but eventually she was part of the cast and the large unit with the actors and their spouses left for a month-long shooting to Kashmir. The media called Chopra’s outdoor stint honeymoon holidays because all the actors were newly wedded be it Waheeda Rehman, Amitabh Bachchan, Raakhee even though she was not accompanied to the shoot by her writer husband. Only Rishi Kapoor and Neetu Singh were single, not yet in love with each other but all the time surrounded by love both on and off screen.

Neetu Singh was not the first choice for the role and Tine Munim was auditioned for the part because Rishi Kapoor had seen her somewhere and was very keen on working her. Yash Chopra screen tested her but preferred Punjabi kudi Singh for Waheeda Rehman’s love child in the film. He was keen on Bindiya Goswami for the third role of the triangle but when Mumtaz called Yash Chopra and requested him to cast her niece Naseem for the part he agreed without a moment’s hesitation.

Deewar takes over the slot – Day 1760

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Yash Chopra loved the script and Bachchan insisted that he start the second film before the first since the project was taking long in any case. Yash Chopra agreed and work began on Deewar the very next day. Deewar proved a super hit and Amitabh Bachchan became a superstar. Yash Chopra’s banner was a front runner and actors went out of their way to block dates for his films.

Raakhee is the focus of Kabhi Kabhie and she was promised the role when Yash Chopra was shooting Daag with her. She had agreed to the project and Chopra had begun his preproduction but post Daag and pre Kabhi Kabhie Raakhee got married and her husband writer Gulzar it seems had a precondition that his wife will not work in films. Raakhee was in love with Gulzar and had agreed to it. She had agreed to Yash Chopra as well because it was a role of a lifetime and unable to say no to either of them.

To be continued

@bhawanasomaaya

The making of Kabhi Kabhie – Day 1759

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Valentine Day is over but the hangover of love persists and call it a coincidence that the biggest love story of Hindi cinema was released a week after the Valentine. On 23 this month Yash Raj Films Kabhi Kabhie completes 41 years and what is remarkable is that after four long decades, so many changes in trends, subjects and technology the film strikes a chord with the audience.

It is said that Yash Chopra went to sign Amitabh Bachchan for Kabhi Kabhie after the success of Zanjeer and Bachchan agreed but the multi-star cast was taking a long time to confirm dates and schedules and in the meantime Salim and Javed approached  Chopra with a brilliant script which was a combination of Mother India and Ganga Jamuna and wanted to cast Amitabh Bachchan as the protagonist.

 To be continued

@bhawanasomaaya

Movie Review: Thappad (Day 1758)

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Changing Mindset

Film: Thappad

Release: 28.02.2019

Writer: Anubhav Sinha, Mrunmayee Lagoo

Director: Anubhav Sinha

Cast: Tapsee Pannu, Pavail Gulati, Kumud Mishra, Ratna Pathak Shah, Tanvi Azmi, Dia Mirza

Ratings: 4 stars

Every time there is marital abuse, the husband invariably has a justification for his action and this has continued for centuries. Lord Ram had justification for making Sita walk the fire path. He was the emperor and could not let down his subjects. In another century, king Dharamraj had justification for summoning Draupadi into the court. He was committed to Duryodhan and therefore helpless. Corporate executive Vikram/ Pavail Gulati in Anubhav Sinha written-directed Thappad has justification for slapping his wife Amrita/ Tapsee Pannu, he is under pressure, stressed out, angry and frustrated!

The question is does Amrita have the right to interfere in her husband’s professional altercation, was it appropriate for her to have trespassed at that moment or should Amrita have waited till the tempers cooled down? Is logic possible in moment of rage, probably not, besides is Amrita in any way disconnected from any dream or dilemma of Vikram? I don’t think so and in which case, how can Amrita keep out of the brewing storm? In a marital relationship who determines the boundary lines of private space and when does this change?

Ammu/Amrita represents the archetypal homemaker whose follies are familiar, she is devoted and she is efficient and most important, she is soaked in the fragrance of her husband’s dreams.

Mrunmayee Lagoo and Anubhav Sinha written Thappad tells the story of an impulsive slap and the varied reactions it triggers among people around the protagonist couple – Amrita’s parents/ Kumud Mishra- Ratna Pathak Shah are devastated, Vikram’s family, colleagues are concerned, their advocates/ Ram Kapoor and Sarao reflective, the house maid/ Ohlyan discovers she is not the only victim and Amrita’s 13-year-old students asks her mother/ Diya Mirza if her dad has ever hit her?

Disturbing questions, domestic abuse is rampant across class and age and we have over the decades watched innumerable films addressing the issue but Thappad is the most significant because it emphasizes on woman’s need for self-respect and even a single slap is unpardonable!

Superbly narrated with effective dialogues, believable characterizations, touching interpersonal relationships, soothing music, lyrics, real sets and sparkling performances from the ensemble cast there is not a false chord in the film where the message is the hero that to change society we need to change perspective to marriage, alter as individuals, as family because in the end it is about happiness, about self-respect.

When Lord Ram sends Sita to exile for the second time, it is Ram’s mother Kaushalya who breaks down and post Draupadi’s disrobing in the court it is Duryodhan’s mother Gandhari who is outraged by the audacity. In Anubhav Sinha’s Thappad too it is Vikram’s mother/ Tanve Azmi who bids an emotional farewell to her daughter-in-law, a terrific scene superbly performed by both Tapsee Pannu and Tanve Azmi that leaves you teary eyed.

Thappad is not a film that can be restricted to gender boundaries, it is a mindset that needs to be changed. In the 2016 released Pink Tapsee Pannu said ‘No is no’ and in 2020 Tapasee says ‘Not even one slap will be pardoned’.

Director Anubhav Sinha take a bow for three significant films in a row 2018/Mulk 2019/Article 15 and 2020/Thappad. Congratulations to the entire team of Thappad, a must watch film for all men/ women/ young/ old even kids and I’m tempted to add one slap for those who don’t watch it!!

I rate the courageous Thappad with 4 stars.

Bhawana Somaaya

A story is staged – Day 1757

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Shri Vighneshwar began cracking on Rim Jhim Barse Zindagi immediately and Hiten Anandpara kept me posted about the scenes in progress collaborated by Pritesh Sodha and him on phone and finally came the day when I was invited to attend the play rehearsal. I was excited to meet the artistic and the technical who were going to give shape to my story and waited with bated breath for the narrative to unfold. Director Jayant Bhatt told me that what you watch is only 20 percent because the effect of light/ sound/ music/ costume / sets is the essence of stage and I trusted him. A week later as I got ready to trek to Tejpal Auditorium for the premier of my debut play I sensed an adrenaline rush but it was different from the   anxiety I went through as an author on her way to a book release. As an author I am forever being judged and have to prove myself but as the story writer of a play I was calmer because the entire team put together was going to sparkle my brain child. And that’s exactly what happened.  What unfolded on stage was magical!

To be continued…

@bhawanasomaaya

A story is accepted – Day 1756

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Initially I was talking about Rim Jhim to a lot of people and a lot of them liked the idea but at the last minute changed their mind. Some asked me to change the protagonist, change the girl into a boy and make it a hero film but I refused. A filmmaker was keen but he wanted me to reduce the role of the parents and change it into a love story, I refused again. There were times I sat down to change the story, to reduce the sorrow but it was not convincing and shut the computer. Some more months went by and then one day, out of the blue, writer Hiten Anandpara phoned to ask, ‘Do you have an original Bhawana ben we are looking for a story for our new play. We met the following week and I narrated a story close to my heart. They heard me in silence and it was evident they were not impressed. ‘Do you have another story? They asked. I narrated Rim Jhim and their eyes sparkled, ‘This is it’ they said and disappeared for four years. In January they got back and they said they were ready to roll. I did not believe them but this time it was for real.

To be continued…

@bhawanasomaaya

A story is named – Day 1755

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Who are you talking to I asked my intern at home, she looked at me and said Rim Jhim. ‘Rim Jhim?’ I repeated making action of raindrops. Yes, she replied, ‘My cousin was born in the monsoons and her parents love the sound of the rain. I love it too and the name Rim Jhim reverberated in my head for days at end. I had decided that irrespective of the  course of the story the title of my film will be Rim Jhim  and slowly I had found my protagonist, a young girl who was going to take you through the story, introduce us to her parents, other characters, their back stories, interactions and attachments. When I penned the synopsis, it was meant to be a film script and then on the advice of a filmmaker friend, I wrote the character sketches, their past, their present, their fears and anxieties and finally the beat sheet – which is a scene break up. I was ready to write a full-length screenplay but not before I had found a director to own my story so I waited…

To be continued…

@bhawanasomaaya