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Movie Review: Machine is devoid of sense and sensibility

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Date: 17 March 2017Producer: Pen Movies, Abbas-Mustan

Director: Abbas-Mustan

Cast: Mustafa Burmavallah, Kiara Advani

Rating: 1.5 stars

 Sanjeev Kaul written and Abbas Mustan directed Machine falls into the regular formula of Abbas-Mustan glossy thrillers. But there is a difference, unlike his brave Baazigar and the hilarious Baadshan, the daring Ajnabee and the shocking Aitraaz all entertaining films because of the energy and music is sadly missing in his latest venture Machine.

There are ample reasons for this. : First and foremost, the senseless story and the even more meaningless dialogues. In his most romantic moment the hero tells the heroine he will spoil her lipstick but will never smear her eye makeup, whatever that means.

 Granted this isn’t drama subject so one has no expectations of histrionics, but to serve an un-engaging narrative devoid of any sense or sensibility in the excuse of a thriller is being over ambitious.

It is not just the plastic covered sofas in a swimming pool facing den that is jarring but every character young and old and every relationship is shallow, offensive and damaging.

 The music is a major let down, it is difficult to believe that Abbas Muustan are the same directors who gave us the foot tapping Khiladi and the melodious Soldier this time, choose to rely on vintage chartbusters and the effect is just not the same!.

 The lead pair is lack lustre. Kiara Advani looks and acts like Esha Deol and new face Mustafa Burmawallah is clearly not made for the arc lights.

One does not expect a social message from a thriller but that does not mean it can be abusive of humanity and relationships. In content and message Machine is illogical, insensitive and irresponsible!

So is there nothing worth watching in Machine of course there is, the film has exotic locations, Kiara Advani is draped in glamorous costumes, there are fancy cars and exciting races. Should one watch Machine , you can provided someone else is spending for the ticket.

 I rate Machine with 1.5 stars.

 

Bioscope Stories 2000-13 (Day 1052)

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Did you know that 2000 release Kaho Naa… Pyaar Hai is listed in the Limca Book of Records for the greatest number of awards won by a Bollywood film (102 awards).. That Rang De Basanti released in 2006 is actually based on a poem written by Dushyant.

That Ashutosh Gowariker hires over 80 elephants, 100 horses and 55 camels for the shooting of Jodha Akbar, that the budget of the film was initially Rs.370 million but gradually shot up to Rs.400 million! And finally, that the Bachchans hold the Guinness World record for being the only father-son duo to have played reversed roles on-screen in Paa.

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Bioscope Stories 1990-99 (Day 1051)

By Books

Did you know that in 1990 when legendary filmmaker V Shantaram was breathing his last he was still calling out to his cameraman asking him to light the set? Or that Subhash Ghai’s Choli Ke Peeche/ Khalnayak in the year 1993 was protested by 42 political parties…?

There is more that at one point Tom Cruise and later Saif Ali Khan were considered for Shahrukh Khan’s role in Dilwale Dulhania Le Jayenge…? Did you know that Shabana Azmi starrer Godmother released in 1999 was inspired by the life of Santokben Jadeja, who ran the Mafia operations of Porbandar, Gujarat and later turned politician?

Bioscope Stories 1980-89 (Day 1050)

By Books, Event

Writer Sagar Sarhadi became director with Bazaar made on a shoestring budget of 13 lakhs. Post the release Supriya Pathak was paid 40,000 and Smita Patil was paid 1 lakh. In 1983 Govind Nihalan’s Ardh Satya based on SD Panvalkar’s short story, Surya, it is said was first offered to Amitabh Bachchan who refused the role.

On to Bachchan who did many films with Shashi Kapoor and always played his older brother even though Kapoor is younger to him. In 1981 Silsila was the first time Shashi Kapoor played elder brother to Amitabh Bachchan.

Few people know this that Raj Kapoor was keen to launch Shashi Kapoor’s daughter Sanjana Kapoor in Ram Teri Ganga Maili and signed Mandakini after Sanjna declined the offer.

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Bioscope Stories 1970-79 (Day 1049)

By Books

It is said that it was writer Sachin Bhowmick who convinced Sharmila Tagore’s mother to let her act in Hindi films and that is how Shakt Samanta signed her for her first Hindi film. Amitabh Bachchan had suffered a row of flops and decided that if Zanjeer proved a hit all friends together will go to London for holiday. Zanjeer proved a hit and they left for London.

Did you know that Danny Denzongpa was the original choice for Gabbar Singh in the 1975 released Sholay? It is said that Amjad Khan was initially rejected because writers Salim Javed felt his voice was not strong for a villain, later of course the writers changed their mind.

In 1976 Parveen Babi hit the headlines when Time Magazine featured her on the cover. In the same year Sridevi was only 13 when she played the role of Rajnikanth’s stepmom in Tamil movie Moondru Mudichu.

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Bioscope Stories 1960-69 (Day 1048)

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Did you know in the year 1961 Aruna Irani made her acting debut in Gunga Jumna and in the year 1964 Geet Gaya Patharon Ne marked the debut of V Shantaram’s daughter Rajshree and Jeetendra as a lead pair…?

In the 1967 release, Ram Aur Shyam Vyjayanthimala was the original choice for the leading lady however during the shooting she had a disagreement with the producer and was replaced by Waheeda Rehman just few weeks before the shooting. Surprises have been a part of show business and in the year 1969 when young widower Shammi Kapoor married princess of Bhavnagar Neila Devi everyone was startled.

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Movie Review: Badrinath Ki Dulhaniya is Lack Luster

By Films

Film Review: Badrinath Ki Dulhaniya

Date: 10 March 2017

Producer: Hiroo &Karan Johar, Apoorva Mehta

Director: Shashank Khaitan

Cast: Varun Dhawan, Alia Bhatt

Rating: 3 stars

The film opens with a long narrative explaining the legacy of the feudal Bansal family and just when you heave a sigh of relief that the mundane introductions are over, you are treated to another history of a nuclear and modest Trivedi family.

Next, there is a wedding in the offing and our hero/ Badrinath Bansal that is Varun Dhawan travels from Jhansi to Kota to accompany the bridegroom and meets the heroine/ Vaidehi Trivedi that is Alia Bhatt who is a family friend of the bride.

What follows is anybody’s guess, the hero and heroine dance during the baraat and the hero promptly loses his heart to the heroine.

Badri is a school drop-out and in no hurry to join his father’s business so has plenty of free time and drives every day from Jhansi to Kota to follow Vaidehi walking/ cycling from college to home.

Badri is determined to marry Vaidehi and it does not remotely occur to him that Vaidehi may not be interested in his proposal. To an extent the idea is funny but gradually you learn that it is a story of diversity.

Over the decades, we have been exposed to several love stories featuring diverse partners where a superior Vyjantimala has rejected an apparently unworthy Uttam Kumar in Chotti si Mulaqat or an arrogant Biswajeet has condemned an illiterate Mala Sinha in Pyaar Ka Sapna and both have risen to the occasion…

Similarly, there have been stories of the privileged Nanda in Jab Jab Phool Khile and Karisma Kapoor in Raja Hindustani who have groomed a bumpkin Shashi Kapoor and Aamir Khan in order to be socially accepted…

Badrinath ki Dulhaniya is a departure from all these because it is not about external transformation but about a change in mindset. Unfortunately, it takes dreadfully long to come to point.

The screenplay travels from Rajasthan to Singapore without any heartache, memorable music or moments. The film is devoid of any passion and the long fight sequences often misleads you into believing that there will be a change in track but that never happens.

Badrinath Ki Dulhaniya is an extension of the director’s Humpty Sharma Ki Dulhaniya released and which makes me ask why Shashank  Khaitan chooses to make another film with the same cast and identical title?

The only thing that works about Badrinath Ki Dulhaniya is Alia Bhatt- and Varun Dhawa and the 5 point message:

One, girls are not for sale in the marriage market. Two, girls have a right to refuse dowry to their in-laws. Three, she has the choice to decline the candidate if she finds him unworthy of her. Four, she has a right to refuse marriage if she is not ready for it and finally, she is at liberty to change her mind whenever she wants.

So just for the powerful message and the presence of the lead pair, I rate Badrinath ki Dulhaniya with 3 stars.