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MF Husain’s attraction for Horses (Day 1078)

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A few days ago, I received an email from Sunil Pagaria, informing me about the limited MF Husain Serigraphs signed and numbered by the artist. He specified that the pictures are all medium prints with a Certification by Husain Creation Dubai.

The mail mentioned that the print once stretched and framed and edition number covered, then no one can tell if it is an original or a serigraph. I was enchanted by the eleven images attached on the mail and downloaded the same for a better look.

24.4.17horse 2For the next few days, I will present the unique images in my blog with my own interpretations, in a sense my tribute to the great genius.

I begin the series with Husain’s world famous horses. All of us know how MF Husain loved horses and there came a stage in his life when he only painted horses. Those keen on purchasing the limited serigraphs may contact<pagariasunil@hotmail.com>

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Meeting the Prime Minister (Day 1077)

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In show business, actors believe that the best rehearsal can never match the final take and this proves true for the civilian awards today. Post ceremony and pictures, we proceed for the refreshments in the adjoining room and we are in for a surprise as the President, hands folded and escorted by his guards’ walks down the corridor and back so that he can greet all the assembled guests. A few minutes later, Prime Minister follows the same exercise and I am privileged to chat with him for a few moments.

21.04.2017 iiTill now, every time I was asked how I felt to be singled out for a Padma honour, I had blushed and shied away from attention. Now, with the awesome scroll and the medal in my bag, I want to say, ‘It is a privilege to be honored by my country!’

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Magnificence of Rashtrapati Bhavan (Day 1076)

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And finally, the day we have all been waiting for…

At 11 am when I come down to the hotel lobby, I can sense excitement all around me. Most of the awardees and their companions are ready before time and clicking pictures before setting off to the venue. The hotel staff is as excited and joins in the fanfare and wishes us good luck.

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Outside, the Delhi temperature is rising but inside Rashtrapati Bhavan the energy is indescribable. It is a wonderful to watch ADCs go about their jobs flawlessly. Everything moves at clockwork precision. All the ministers Rajnath Singh, LKAdvani and others arrive at the allotted time, then just a few minutes before 12 noon, arrives Prime Minister Narendra Modi and finally President, Pranab Mukherji. A row of flags, national anthem on the drums and the ceremony is officially commenced.

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Movie Review: Maatr

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Film Review: Maatr

Date: 14 April 2017

Director: Ashtar Sayed

Writer: Michael Pellico

Cast: Raveena Tandon, Madhur Mittal, Divya Jagdale, Saheem Khan

Rating: 3. 5 stars.

After the school annual day, Vidya Chauhan/ Raveena Tandon, a school teacher and her daughter Tia/ Alisha Khan are stuck in a bad traffic jam and Vidya takes an alternate route that lands them in a ditch. Mother and daughter are pulled out of the ditch by a car following them and taken not to the hospital but an empty apartment.

 What follows is a nightmare that exposes Delhi’s high class society comprising power brokers, corrupt police and a flawed judiciary.

Maatr is yet another story of yet another rape victim pronounced guilty for the tragedy and ostracized by the immediate family post the ravage.

Many things go in favor of the film. First, the screenplay, writer Michael Pellico briefly but precisely establishes equations in relationships, for instance you get to know early in the narrative that all is not well between Vidya and her husband/ Apurva Malik and her support comes from her artist friend Ritu/ Divya Jagdale.

 You learn that Inspector Shroff/ Anurag Arora is a pawn in the system and there is relief in his voice when he watches the flames go in air in the climax and exclaims ‘It is finally over’.

The film excels in all the technical departments. Hari Vedantam’s seductive cinematography combined with Manoj Magarr’s razor sharp editing and Utkarsh Umesh Dhotekar’s haunting music, grips you to the engaging narrative from the start to the finish.

Director Ashtar Sayeed repackages the old revenge formula into a chilling, stomach churning story of contemporary India that will leave you wounded and inspired at the same time!

What is disappointing is that the plot overlooks some relevant details: The characters live in sprawling apartments without any domestic help or any indication of neighborhood. For an accident that was breaking news, it is surprising that Vidya goes back to her job without any corridor gossip or paparazzi both at home, school.

Diyya Jagdale as Raveena’s friend and Anurag Arora as Inspector Shroff make an impact but the film finally belongs to Raveena Tandon who internalizes her anger to deliver a consistent and understated performance.

It is difficult to believe that the actor has been away for 14 years, we last her in Satta/ 2003. There’s one problem though, Vidya Chouhan is distractingly attractive to be missed in a crowd or to be passed off as a school teacher.

Maatr is not an easy watch but make the effort because it is about changing ourselves. I rate Maatr with 3.5 stars.

Rehearsal Before The Final Take (Day 1075)

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As an assistant helps each of us to get seated in our respective chairs marked with our names and another comes to brief us on the process to follow, a million thoughts jog in my over active brain. This is the room that has recorded national history from pre-independence to now; it has witnessed so many charismatic leaders and so many swearing in ceremonies of so many presidents. The bright and shining chandeliers, the peaceful Buddha idol and all the podiums each have so many stories to tell that will never be known.

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After a near perfect a mock rehearsal comprising our entry, walk on the stage and exit into the adjoining room first for a group picture and then refreshments, we walk back the historic corridor admiring the murals on the walls and the ceilings. We are unhappy that we cannot take any pictures but there is no protesting security.

It is our third night at the hotel and we are more familiar with the room, so fall asleep easily.

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Thinking of Auro and Paa (Day 1074)

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 Next morning, all of us presided in our assigned vehicles to the venue. I don’t know about the other awardees but this was the first time in three months, the enormity of the moment hit me. As my driver, Darshan Singh turned into the VIP enclave and displayed the car pass to gate number 37 my mind unwittingly flashbacked to R Balki’s Paa where MP Abhishek Bachchan seeks special permission to take Auro (Amitabh Bachchan) to visit the Rashtrapati Bhavan.

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Auro did not descend at his dream venue and hence lost an opportunity! On the contrary, I made sure to walk down the long passage slowly and quietly, in order to soak in every detail of the ambiance and the experience! The first thing that strikes you about the place is the magnitude of space, the gardens, the colorful flowers, the multiple sturdy pillars and the red carpet all through the stone steps. Inside, it is the architecture, the high ceiling, the innumerable chandeliers and the sheer magnificence of the room.

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Arriving at Ashoka (Day 1073)

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Ever since the Padma Awards have been announced on 26 January 2017, everyone I met was curious to know one, how I felt and more important, when I would be visiting the Rashtrapati Bhavan?

The ceremony is held in March/ April depending on the midterm elections and usually in one group. This time, the 100 plus awardees were divided into two groups, the first group felicitated in March end and the second group in mid-April.

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The Ministry office emailed us the schedule weeks in advance and requested us to arrive in the capital a night prior to the rehearsals. Most of us did and were expertly briefed on the flow of the event.  All the awardees, irrespective of their titles (Padma Shri/ Padma Bhushan/ Padma Vibhushan) were put up in the same hotel (Ashoka, Delhi) and all were welcomed with flowers and  tilak, in fact in the coming days,  it was interesting to walk down the long corridor greeting, chatting and sometimes, dining with other awardees from different field and states.

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The Artiste and The Muse (Day 1072)

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Mahesh Karambele studied the technicalities of fine art as a sheer passion to fuel his natural bent for capturing his imagery on canvas. Adept at all mediums, he enjoys playing with chiaroscuro as much as he dabbles with everyday subjects, symbolically trying to portray a simple truth – there is joy in every little thing!

15 april iFollow me on Facebook, Twitter and Instagram  @bhawanasomaaya