The students have had an overdose of lectures and the professors feel they need to be entertained so Dr. Chinnadevi Singadi has worked on an audio-visual presentation of the lyrical journey of songs from Ghalib to Gulzar.  For the first time in all day, the hall is house full and every song is welcomed with claps and whistles. They are having a good time and it does not matter to anyone that the show has gone beyond their dinner time. That’s the power of entertainment.

During dinner, everybody is happy and still discussing the film scenes and songs. One of the students asks me what is my subject of talk the following morning and I say that since I am from the show business it is natural that I will talk about show business.

This is the third time I am sleeping in a university campus. The first time was at FTIII in Pune and the second time at JNU in Delhi, both large campuses surrounded by trees. The trees look very beautiful during the day but at night if you are not used to such quiet surrounding it can be rather scary.

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I am introduced to more Plenary Talk, this time on Indian and world theatre: classical, modern, contemporary. Prof Aparna Dharwadker, Dept of English and Interdisciplinary Theatre Studies, University of Wisconsin-Madison, USA discusses the detailing on stage and what makes theatre classic.

Dr. Mini Krishnan, Editor – Translations, Oxford University Press, India has a more interesting topic to elaborate and finally, there is a discussion on The Road Ahead for Indian Literatures joined by all the prominent guests invited from all over the country namely Prof Graham Huggan, Prof Vinay Dharwadker, Prof Aparna Dharwadker, Dr. Mini Krishnan, Prof T Vijay Kumar, Prof T Nageswara Rao and Dean EFLU, Prof Ramadevi Murru.

The world and life of these academics is a far cry from the world I live in and much as I am attracted to a life at a university campus I discover it is not easy. If you need anything from outside or from your guesthouse you have to walk a mile. The guest house though comfortable don’t have the amenities available even in a 3-star hotel and for those unexposed to austerity, this is a reality check for sure.

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In the morning Suresh Kumar, Vice Chancellor, EFL University was assigned to introduce the Keynote Speaker, Prof T Nageswara Rao, Dept. of IWL & Director and Educational Multimedia Research Centre. The topic is Re-evaluating the postcolonial exotic and another speech by Prof Graham Huggan, Chair of Commonwealth and Postcolonial Literatures in the School of English at the University Leeds, UK.

Post lunch the discussions become more serious. The topic is India Incorporated in the Canons of world Literature, whatever that is supposed to mean. It is the same venue, the same crowd and more or less the same professors. The discussion is very informative but I find it difficult to concentrate beyond a point so I take the liberty of walking out half way and spend time at the book corner where various books are spread out for public benefit. I spend time chatting with the publisher and ask her how she got involved with the university and if this is a regular feature to display books at all universities.

Very few students seem to be drawn to the bookstall; some of them appear interested but confess to me that they don’t have money to splurge on books because reading is a luxury for a student bogged down with assignments and deadlines.  The venue, however, is a big favorite with all the students because they like sitting by the pond and often fill the water with rose petals and floating candles. “We would love to fill it up with scented mogras but all of us are forever broke and never have the money for indulgences”.

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I have been invited by the English and Foreign Language University for a one day conference to Hyderabad and I am looking forward to the experience of spending time at the university campus. They have invited a number of speakers from prestigious universities in India and abroad and all of them have been put up at the university guest house.

On Day 1 the registrations begin in the foyer of the New Academic Block popularly recognized as the multipurpose hall for the inaugural session. Dr. Chinnadevi Singadi, Assistant Professor, Department of IWL & Joint Coordinator of the Conference makes the welcome address followed by Professor N. Ramadevi Murru, Dean, School of Literary Studies & Conference Coordinator making vital points on the purpose of this seminar.

It is a long morning of too many speeches and I decide to spend some time by myself in the wilderness of the campus.

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Eros International, a leading global company in the Indian film entertainment industry, announced today the launch of Eros Now Short Movies on Eros Now, its cutting-edge digital over-the-top (OTT) South Asian entertainment platform. The first of the short movies, produced by multi-talented artist Ayushmann Khurrana’s Toffee, co-produced with casting director Mukesh Chhabra and directed by Tahira Kashyap premieres today on Eros Now.

2017 witnessed an emerging trend of short movies on OTT platforms, which have been widely appreciated by viewers. Recognizing the trend and its fast-growing popularity, Eros Now is one more production house to provide a new platform to showcase talent. It will aggregate and showcase the choicest Shorts one each month to its subscribers globally.

Their first film Toffee has already garnered critical appreciation at various festivals including the 30^th Cinekid International Film Festival, Amsterdam, the 14^th Bahamas International Film Festival and MAMI and nominated for the Best Film at the Filmfare Short Film Awards 2018, a category specially created by the popular awards owing to its growing status.

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Finally, the film is releasing in the theatres today and that is enough reason for celebrations.

Viacom18 Motion Pictures Padmaavat directed by Sanjay Leela Bhansali, is the first Indian film that will have a global IMAX 3D release. It has been cleared for release by the CBFC with a U/A release certificate post the incorporation of only 5 modifications.

Starring Deepika Padukone as Rani Padmavati, Shahid Kapoor as Maharawal Ratan Singh and Ranveer Singh as Alauddin Khilji, the film will also be released in Tamil and Telugu, in addition to Hindi. The film releases today in 2D, 3D and Imax 3D in India and the world.

Based on 16th century Sufi poet Malik Muhammad Jayasi’s epic poem Padmavat, the film showcases the valor of Rani Padmavati, Maharawal Ratan Singh and the famed Rajput ethos of honor, bravery and sacrifice.

Says Sanjay Leela Bhansali,“I have always been fascinated by the stories of honor, valor and vigor of our great Rajput warriors that have been captured so beautifully in our literature and this movie is my homage to those glorious stories. I thank the entire film fraternity for supporting Viacom18 and Bhansali Productions particularly Akshay Kumar and the team of Padman. I don’t think I will ever forget this gesture.”

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Amitabh Bachchan unveiled the third edition of Mumbai Police calendar, shot by ace photographer Pravin Talan, at the glittering star-studded event Umang along with Commissioner of Police, Mumbai Mr. Dattatray Padsalgikar and other senior officials of the police force.

Bachchan was all praises for the families of the policemen who sacrifice their personal time so that police can serve the city. The efforts of the policemen have been well documented in the calendar.

This time the much-awaited calendar by Pravin Talan has more realistic photographs featuring the herculean tasks of Mumbai Police across various seasons and festivals, making it one of the most enriched and liveliest calendars yet.

Commissioner of Police, Mumbai Mr. Dattatray Padsalgikar said, “For Mumbai Police, 2017 has been 365 days of celebrating an undying bond with the citizens and rediscovering its power in helping us overcome any crisis.”

The calendar also gives a peek into the state- of- the- art Police control room and recently introduced Riot Control Police.

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Twinkle Khanna’s latest endeavour, Pad Man, the world’s first feature film on menstrual hygiene, is based on the life of social entrepreneur and activist Arunachalam Muruganantham, who revolutionized sanitary hygiene in rural India 20 years ago. Pad Man was to release in cinemas on 25 January but when Sanjay Leela Bhansali met up with Akshay Kumar to request him to delay his film by a week it did not take Kumar a minute to postpone his release in order to support Bhansali. It is a gesture Bhansali is not going to forget easily.

Akshay Kumar knows he has a good product and a little delay will not harm his film. The film has many victories to celebrate, the latest being that Twinkle Khanna, India’s bestselling female author, film producer, woman’s rights activist, interior design entrepreneur, and former actress, has been invited to speak at The Oxford Union, the world’s most prestigious debating society.

Pad Man is the first Indian film to be showcased at The Oxford Union, presenting a milestone for Indian cinema.

At The Oxford Union, Twinkle Khanna emphasized why it is imperative to spotlight issues relating to menstrual hygiene and breaking stigma attached to periods globally as a means to empower girls and women worldwide, “This is not a film it is a movement”.

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