Finding Deepika (Day 1487)

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In a morning daily Deepika spoke about going through severe depression, about seeking a counselor. Everyone was astounded.  Her rivals called it a publicity stunt, and some said she was the face to advocate Mental Health issues. I don’t think it was a publicity stunt and even if she was paid to create awareness for Mental Health it is a courageous gesture that needs to be applauded.

Success numbs all perceptions and Deepika was at a point in her career when she could do no wrong. In 2014 came Finding Fanny and in 2015 another path-breaking film Pikku.

Suddenly, it was not just her fans and the media but the entire film fraternity who was reacting to Deepika Padukone. I remember meeting Rakesh Roshan at a party and he could not stop talking about her in Pikku. The overwhelming reactions from all over had kind of numbed her and a breakdown was inevitable.


To be continued…


Cocktail and more (Day 1486)

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Praksh Jha signed her for Aarakshan as Amitabh Bachchan’s daughter, her first with the mega star. I would say that Cocktail in the year 2012 was a turning point in Deepika’s career followed by Ayan Mukherjee’s Ye Jawani Hai Deewani and Sanjay Leela Bhansali’s Goliyon Ki Raasleela/ 2013.


This was the first time she was discussed as a sex symbol, the first time critics got up and made note of her and the first time she was on the list for The Best Actress in all the award events of the season. She looked radiant at all the public events and was the first choice of all her directors. She had everything that a young girl desired:  love, money, movies but clearly something was missing that nobody had noticed and discovered one morning…


To be continued…


Deepika: Highs & Lows (Day 1485)

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A few months later I bumped into Deepika again for Ashutosh Gowariker’s shooting of Khele Hum Jee Jaan Se in Goa. During lunch break and later I searched for tell-tale clues of a heart break up but Deepika appeared unusually composed! Clad in a Bengali sari and riding a bicycle for a scene she was the character without baggage!

There was a small difference though; now Deepika did not smile that often. The only time I spotted that famous dimple was when Ashutosh dragged her for an impromptu badminton game. Ashutosh joked that that he had signed Deepika so that he could play badminton with her. Deepika was amused and for the time that, she day laughed heartily!

Producer Sunita Gowariker told me that day that Deepika Padukone will emerge as the new Aishwarya Rai in a few years. “I can sense the same reserve and the steely determination. She is so focused and professional that there is nothing to stop her.”

The year 2010 was Deepika’s performance at the box-office  was far from promising – a crazy House Full, an insipid Lafangey Parinde, a dismissive Break Ke Baad and a disappointing Khelein Hum Jee Jaan Se but yes, Deepika made sure she was noticed.

 To be continued…


Deepika Padukone : long, long ago (Day 1484)

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The first time I heard about Deepika Padukone was from fashion designer Prasad Biddappa,  this was sometime in the year 2006 when Padukone was signed by Shah Rukh Khan to play the lead in Om Shanti Om and Biddappa could not stop raving about her.

In the initial years Deepika kind of skip hopped success/ Bachna E Haseena and failures/ Chandni Chowk to China and was not exactly popular with the media. The glossies were only interested in her love angle/ Ranbir Kapoor and the critics not willing to indulge her till she did something significant. They appreciated her in Love Aaaj Kal and encouraged her for experimenting with Kartik Calling Kartik but Deepika still had a long way to go to earn their respect.

I met Deepika for the first time at Rishi Kapoor’s home when Rajee Singh, Neetu Kapoor’s mother passed away. We were all assembled in the living room waiting for the pandit to complete the formalities and in the adjoining room were Deepika and Ranbir’s other friends.

To be continued…


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Film: 2.0

Date: 29.11.2018

Director: S.Shankar

Writers: Abbas Tyrewala (Hindi dialogue)

Cast: Rajinikanth, Akshay Kumar, Amy Jackson

Music: A.R.Rahman

There can be nothing regular about a Rajnikanth film. Not the promotion, not the release, not the press show either.

So critics watched the film in cinema halls and let me admit it was an experience.

From the liftman escorting me to the screen to the student sitting beside me in the auditorium the energy was contagious.

My review this week also will not be the regular format and therefore the important props – cell phone and dark glasses in the frame.

The story in a Rajnikanth film has never been important because the audience come to watch the superstar.

They clap before he makes an entry, clap while he makes an entry and clap as long as he is on screen.

This time however there is a story and the story is surprisingly convincing. The film discusses how over use of technology is gradually destroying our environment.

It deliberates our over dependence on the cell phone and the damage caused by the radiation frequency.

Also, this time there is not one but three Rajnikanths. The spectacled scientist vaseegharan, his creation  who turned a monster and had to be killed Chitti, dark glasses Rajnikanth and Chottu, a micro robot who flies on a bird.

What works about the film is primarily the message – Love birds and save environment and the concept.  Writer director tells you an amazing story of imagination where mobile phones transform into all kinds of shapes and forms.

It bursts into the sky like a cyclone, becomes a wave and engulfs buildings, structures, nature and human beings.

The VFX are first rate and the cinematography seductive. ARRehman’s music is engaging and so are the characters.

As the ageing bird lover, Pakshi Rajan, Akshay Kumar is a surprise and as the evil bird he is sinister!!

As the scientist Rajnikanth is restrained, as Chitti, Rajnikant is adventurous and as Chottu, Rajnikant is a riot!

Must you watch 2.0 absolutely!

Watch it for the scale, for the visuals, for the message and for the actors -3 Rajnikant in one film. It can’t get better than this for Rajni fans.

The demerits are the length and the climax that never ends. The special effects become meaningless beyond a point and the film could have been shorter by 20 minutes.

I rate 2.0 with 3.0 stars and a vanakam from amma to Chottu.

Bhawana Somaaaya

Dilwala and dulhaniya (Day 1483)

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For a long time, nobody was sure how serious Deepika and Ranveer were about their relationship. Probably they were not sure themselves but as they say, time plays a big role in our life and Deepika and Ranveer decided that they will not let time run out of their hands.

They got their families together and the respective families did what they ought to, cornered them into taking a decision. Finally, the actors were ready and a date was put in place. It would be a destination wedding out of the country followed by a number of receptions in different cities.

Ranveer Singh may have planned weddings on the screen with Anushka Sharma/ Band Baaja Baraat but his own wedding was planned with his princess partly on the films they worked together and partly when the parents got together.