It’s interesting how perceptions alter with time. Some years ago, a shy Jaya Bhaduri taking shelter inside a cave and singing ‘Bol re papi hara…’ in Hrishikesh Mukherjee’s Guddi was heart rending. With time we accepted Kajol dancing with a towel to ‘Mere khwabon mein jo aaye…’ in Dilwale Dulhaniya Le Jayenge.
I’m of the opinion that Zeenat Aman’s ‘Hai hai ye majboori…’ draped in a clinging saree in Roti Kapda Aur Makaan was the beginning of the rain sequences. Zeenat invites Manoj Kumar to join her in the rain but he has to appear for a job interview and resists her advances but she is too tempting and he eventually relents but is still self-conscious.
There are so many instances when rain was not a part of the original scene but the song composition was so evocative that the choreographer and sometimes the music director suggested shooting it as a rain sequence for greater effect.
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